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TIME
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ACTIVITY
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RESOURCES/LOCATION
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8:30 to 9:00
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Introductions
Meet instructor and others students.
Divide into 3 Groups of Four
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Fletcher Detroit Offices
Mike Sippel Stephen Early
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9:00 to 10:30
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Basic Menus Learning the Menu Settings of the Red One camera and gain understanding
of how to set up preferences. Students follow instructors in groups of four
per camera changing their own camera. Students will also create their own Personal Preferences.
Covers Color Balance, Frames Rates, Resolution 2k, 3k, 4k, ISO, etc.
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Fletcher Detroit Offices
One RED Camera for every 4 Students
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10:30 to
11:30
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Advanced Menu & Concepts
Student will gain an understanding Red's usage of Metadata as well as
comprehension of recording RAW while viewing images with a Look Up Table
(LUT) applied to the image.
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Broadcast Grade High Definition Monitor
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11:00 to
12:00
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Data Management
Learning the basics of transferring the footage from the Red Hard Drive,
Ram Drive and Flash Cards to a drive and LTO tape which can be taken to the
post facility. Using both a basic laptop
as well as a full Data Management System (DMS)
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Fletcher Detroit Offices
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12:00 to
1:00
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Lunch
( Included)
Move Cameras to B Stage
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1:00 to
2:30
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Booby-Trapped Individual Hands-On Camera Set
Up
Each student re-sets the RED camera settings to their Personal Preferences for shooting after cameras have been Booby-trapped by instructors.
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Grace & Wild B-Stage
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2:30 to
5:30
1 Hour per
Group at Each Station
15 Minutes for
Each Student at Each Set-Up
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Students Shoot Footage.
Goal is to gain a thorough understanding of proper exposure. Student will
also learn to handle on-set issues with Red in a production environment. 3 Lighting Set Ups will be pre-arranged the
previous night (Dolly & Lights supplied by Detroit Power & Light).
Scenes Daylight (Outdoors if Possible) Slow-Motion Table
Top Creative
Color a la Black & White, Sepia,
Bleach By-pass
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Grace & Wild B-Stage
Fletcher Standard
Red Package
Fletcher Professional
Red Package
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5:30 to
8:15
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Color Correction - Handling
Red Through Post Production
Students see
their work all the way through post as Grace & Wild's Colorist
manipulates each of the four setups in a grading room. Students will learn the latitude of the Red
Camera with different exposures and see their LUTs applied.
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Grace & Wild Color Suite
Pat Matthews, Colorist
Keith Neff, Chief Technology Officer
Grace & Wild's redBOXX II & Scratch System
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5:30 - 6:15
6:15 - 7:30
7:30 - 8:15
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Group 1
Color Suite
Additional Camera Time
Dinner
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Group 2
Dinner Color Suite
Additional Camera Time
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Group 3
Additional Camera Time Dinner Color Suite
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